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results 1-20 of 69 item(s)  page 1 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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 Image: Title: Description:
1. [Bookplate for Annie M. Angus by Lionel Haweis] [Bookplate for Annie M. Angus by Lionel Haweis] A combination of textual and pictorial bookplate created with black ink on ivory paper. Image consists of a stained glass background framed (from inside out) in a thin light frame, dark medium frame, and a light ribbon frame. A candlestick with a large lit candle is overlaid with a large stylised letter A. Midway on the candlestick rests an open book, which overlays the monogrammed A. On the left page of the book is a stylised letter A and on the right page of the book is the letter M. At the bottom of the image is a shelf of books.
2. [Bookplate for Horace Bruce Smith] [Bookplate for Horace Bruce Smith] A framed view of a lake with trees and bushes along the edge. At the top and sides of the frame are cattails and other types of plants ; at the bottom of the frame is a collection of books, one open to a portrait-type image.
3. [Bookplate for Berenice Skinner by Bank B. Gordon] [Bookplate for Berenice Skinner by Bank B. Gordon] A large galleon on rough seas is framed above a bookshelf holding books, a quill, and a lit candle.
4. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] A plain bookplate framed by two black fillets in a double rectangular frame. There are three seashells on the left and right side of the frame and six seashells on the top and bottom of the frame.
5. [Bookplate for Marjorie Vivien Smith] [Bookplate for Marjorie Vivien Smith] A winged horse in flight among stars at night framed by a border with stars and planets is depicted. Bookplate still affixed to a portion of the book cover that has been cut out ; book is "The Voluntary worker in the social services. Report of a committee jointly set up by the National Council of Social Service and the National Institute for Social Work Training under the chairmanship of Geraldine M. Aves" (Beverly Hills, Calif., Sage Publications: 1969).
6. [Bookplate for Roxie Jayne Gebhardt] [Bookplate for Roxie Jayne Gebhardt] Black ink on cream colored paper with an adhesive backing. A fine-line drawing of a tall ship at sea, with all sails unfurled and a British flag (Union Jack) flown as ensign at the stern. The ship sails on choppy waters. To the left, there is an outline of two clouds and three birds in the sky, along with a silhouette of another ship in the distance on the water. The entire drawing is framed by a black, thin-line border with no additional decorative detail.
7. [Bookplate for William Ralph Howard by Leslie Victor Smith] [Bookplate for William Ralph Howard by Leslie Victor Smith] Black ink on cream colored paper. The image depicts a tall ship at sea with all sails unfurled, in a swell of water, with a large cumulous cloud in the background. The image is framed by a length of rope that circles the entire bookplate. Below, a heraldic device is displayed in a circular frame. A broken ionic order column is in the center, with the top half of the column resting on the right side of the base and an oval shield with a flower on it leaning on the left side of the base. At the bottom of the bookplate, the owner’s name is presented in a solid-colored shield. The rope frame meets at both sides of the shield: on the left, the rope holds an anchor and on the right it holds a ship lantern.
8. [Bookplate for Alfred C. Harmsworth] [Bookplate for Alfred C. Harmsworth] Black ink on cream paper. Crest features a crest-wreath with a knight’s right arm extended and bent at the elbow. The arm is armoured with a point at the elbow and circular decorations on the rest of the arm. The hand clutches a sword that has gone through a small lion’s head from the chin through to the crown. The lion has whiskers, but no mane. Below the crest, the bookplate owner’s name is written in black, sentence case, gothic font.
9. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.
10. [Bookplate for William Alfred Howard by W. A. Howard] [Bookplate for William Alfred Howard by W. A. Howard] Black ink on off-white paper. The image shows a corner of an office or study. A wooden armchair is pulled out from a desk with a table lamp and open books, which face a multipaned window. To the left is a fireplace with a framed picture above it and a floor-to-ceiling built-in bookcase.
11. [Bookplate for Bessie Ruth and J. E. Horvath] [Bookplate for Bessie Ruth and J. E. Horvath] Black ink on tan paper. The illustration in this bookplate is divided in to 9 parts framed with flowers and other decoration. The central section contains the text, with two columns on the top and a monogram and date at the bottom. In the remaining 8 sections putti are depicted playing a variety of musical instruments.
12. [Bookplate for Margaret M. Howard by Leslie Victor Smith] [Bookplate for Margaret M. Howard by Leslie Victor Smith] Black ink on textured cream colored paper. The image depicts a tall ship at sea with all sails unfurled, listing to the right in a swell of water. The ship is contained within a circular border containing four quatrefoil points. Above, the phrase ‘Ex Libris’ is displayed within a scrolled banner across the top of the bookplate and the circle is framed by hanging garlands of varied types of flowers and ribbons. Below, a shelf depicts a row of bound books that part at the middle, with a blank sheet of paper and a feather quill resting in an inkwell. Below this, ‘Margaret M. Howard’ is written within a large scroll banner that is framed by thorny vines of roses.
13. [Bookplate for William Greig] [Bookplate for William Greig] Black ink on yellow cardstock. The central image is of a tonsured, hooded monk writing at desk covered with open books and papers. The monk sits facing to the left, holds a stylus with his right hand and grasps his chin with his left hand. The image is framed in a thin double-line border with curled corners on the right side. The left side of the border is decorated with an ornate pattern of stylized, scrolled leaves. The text is written above and below the image of the monk in Gothic font.
14. [Bookplate for Ruth Goodell by Alexander Scott Carter] [Bookplate for Ruth Goodell by Alexander Scott Carter] Black ink on yellow paper. The scene is framed by an architectural arch with a column on each side, decorated with stylized vines and leaves. At the top left- and right-hand corners, initials are separated by a banner in the centre. The background features a mountain with a silhouette of a tree (possibly a laurel) on the left-hand side. The foreground depicts an ancient Greek amphora (vase with handles) with a frieze of figures and decorative patterns. To the left is an open book with a scroll above it identifying the artist and date of the bookplate. To the right of the vase is a globe showing a stylized representation of North and South America. Other closed books surround these objects.
15. [Bookplate for Hill's Lending Library] [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.
16. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.
17. [Bookplate for Marguerite H. Powter by Clare Victor Dwiggins] [Bookplate for Marguerite H. Powter by Clare Victor Dwiggins] Black ink printed on yellow paper. A woman in fanciful dress leans over a cherubic figure who is holding an open book. Books are scattered on the floor, below which is the bookplate owner's name. The entire scene is framed by vines and flowers.
18. [Bookplate for Henry Mott by J. E. H. MacDonald] [Bookplate for Henry Mott by J. E. H. MacDonald] Black ink. Azure (blue) escutcheon charged with a argent (silver) crescent. Above the escutcheon is a straight wreath, an eight-point star and the originator's name. Below a waving banner displays the originator's Latin motto. All of the elements cited above are framed by a shield shaped border. Additionally, the paper is cut at skewed angles, causing the image to appear lopsided.
19. [Bookplate for Mechanics Institute of Montreal] [Bookplate for Mechanics Institute of Montreal] Black ink. The seal of the Mechanics' Institute of Montreal is located in the upper portion of the bookplate with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever and the dexter quarter a telescope. Though difficult to decipher, the seal appears to declare ; Knowledge is Power, in a framed ring at the fess point.
20. [Bookplate for William Hall Walker by F.] [Bookplate for William Hall Walker by F.] Dense with imagery, this bookplate consists of a central framed coat of arms, surrounded by many symbols and figures, including a rose, a portcullis, a bird, a small argent escutcheon charged with a lion rampant, a thistle, military insignia, mounted hunting spoils, an anchor, rifles, swords, polo mallets, horseracing emblems, horse carriage hook-up, foliage, tree branches, and knights on horseback. The knight on the left sits upon an armored sable horse, holds a lance in his right arm, and wears a cornucopia crested helmet. The knight on the right sits upon a unarmored white horse and holds a white flag in his right hand, on which is the image of a tree and fox on a circular white and azure (blue) background. The coat of arms, presented within a border of grape vines and under the motto 'By Care and Industry', consists of a white horse and stag as supporters, with juxtaposed garbe, proper. The escutcheon, argent, contains both a chief and saltier. The chief is argent (silver), with two argent mullets of six points and garbe, proper. The saltier, argent, is charged with eight seedlings eradicated and a stag's head, erased, at its centre. Atop the shield is a baron's coronet and helmet, grated and in profile, crested by a wreath and cornucopia.
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